While I
buy the idea that phrases like “be a man” are harmful to men – as suggested by
Samantha Cowen who states, “Women and girls aren’t the only victims of a
patriarchal society” (http://www.takepart.com/video/2015/07/09/be-man?cmpid=tp-fb)
– I think it’s also necessary to consider the negative implications the phrase “be
a man” has for women.
When
someone tells a male individual to “be a man,” they’re also telling them not to
be the opposite of a man (i.e., don’t be a woman). This sets up the inequality
women<men (not to mention that it reinforces the myth of a gender binary).
Based on
the answers given in the above-linked video, society does not view women as:
- Tough
- Unafraid
- Courageous
- Strong
- Awesome
- Responsible
- Focused
- Understanding of the world around them
- Heroic
- Able to take care of themselves
- Secure
- Standing up for what they believe in
- Hardworking
- Honest
- Taking ownership
- Trusting their instincts
- UP IN YOUR GYMS PUMPING IRON
It’s
also apparent from the video that sexism and misogyny are learned behaviors, as
the younger children struggled to understand what “be a man” meant. There were
some blossoming feminists shown in the video, as well. For instance, the
15-year old who said, “I feel like its sexist when someone just says, ‘Be a
man.’ Well, there’s strong women as well.” Or the 29-year old who said, “Bullshit
because what does that even mean, it’s such a vague term, ‘be a man.’ You know
what… classically, men have beat the shit out of women. That’s what men have
done, and so that’s not the man I want to be.”
So how
is society perpetuating sexism and misogyny? Well, for one, through the media.
Two weeks ago, watching So You Think You Can Dance, I was repulsed by comments
made by the judges. Specifically, Paula Abdul telling Moises Parra after his
performance in the Broadway round of Vegas Callbacks #1, “You gotta dance like
a man […] You have to be able to dance strong.” Later in the episode, as Moises
is ‘dancing for his life,’ you can hear Travis Wall saying, “He needs to dance
like that when he’s dancing with a girl.” After his solo, Jason Derulo tells
Moises, “You look like a badass in the beginning, but as the piece progressed
you just got softer and softer.” Paula adds, “The key for you is going to be
your face. Maintain the fierceness while you’re dancing.” Finally, Nigel
Lythgoe (the show’s executive producer) tells him that he’s in his imaginary
top ten, a compliment tempered by him saying, “It’s only you that drop out of
it when you dance weakly.”
This
example demonstrates society’s construction of what it means to be (and to
dance) “manly”. Again, we can discern that if men dance strong and fierce,
women must not (FALSE!). Furthermore, the judges telling Moises that his
dancing was soft and weak after instructing him to dance like a man, sets up
the distinction that to dance soft and weak is to dance like a woman (again,
FALSE!). The problem in the judges’ criticisms is not that they want his
dancing to be stronger – after all, it is a dancing competition and only the best
will make it on to the subsequent rounds. The problem lies in the juxtaposition
of “dancing like man” with “dancing strong,” which effectively equates the two
and sets up disturbing antonymic associations. If we truly want to live in a
society in which women are viewed as equals, we must redefine what it means to
be a man in terms of what it means to be human. The roles and characteristics
of men and women should not be seen as mutually exclusive. Rather, in the realm
of all roles and characteristics possible, everyone, regardless of their gender
identity, should be able to exhibit their truest self, “masculine”, “feminine”,
and anywhere in between.
